“We developed a certain intuitive list of favorites that just seemed to work well with a lot of people. “We were working with 33 RPMs and turntables, and always trying to decide what record to play next,” Richards recalls. The drugs were also studied for their effects on the professional lives of religious and mental health professionals. There, he and other researchers investigated LSD, psilocybin and other psychedelics for treating substance use disorder, depression and the psychological distress associated with terminal cancer. At the time, Richards was involved in similar research at the Spring Grove Hospital Center in Catonsville, which is now part of the Maryland Psychiatric Research Center. The playlist, which Johns Hopkins has used since it began its psychedelic research 20 years ago, dates back to 1967. “We paid attention to the structure and tone of each section of the Hopkins list, and while we did not use quite as much strictly classical music, we wanted to create a list with a relatively high amount of ‘structured’ music versus ambient.” “We were striving to create a blend of resonance with the music and emotional/psychological challenge that are thought to be beneficial,” says Malynn Utzinger, co-founder and director of integrative medicine at Usona. Usona added Spanish guitar, non-Western classical music and modern works with some classical structure. Richards’ reasoning for choosing classical music, as well as the structure of the Johns Hopkins playlist, inspired Usona’s playlist, which uses seven pieces from the Hopkins list. Psilocybin researchers at NYU Langone Health and the Usona Institute in Madison, Wisconsin, have since adapted the playlist for their own research. It might take you beyond usual consciousness into a realm that feels eternal,” says Richards. It may take you into some archetypal or visionary realms that you never knew were possible. “We’re exploring the human psyche, which might take you through some painful things in childhood. As a researcher at the center, he emphasizes that the music is chosen for its ability to guide and support the participant’s experience. Psychologist Bill Richards, whose involvement in psychedelic research dates back to 1963, masterminded the playlist. The 2010 study Jacobs participated in examined the impact of psilocybin on spiritual practices - in Jacobs’ case, meditation. Its research focuses on how psychedelics can impact brain function and mood in healthy individuals and in patient populations, including conditions such as tobacco addiction and anorexia nervosa as well as anxiety and depression in people with life-threatening cancer. The research center, which launched in September 2019, is believed to be the first such center in the country and the largest of its kind in the world. A version of the playlist is available on Spotify. 4 in JAMA Psychiatry that found that psilocybin may show promise as a treatment for adults with major depression. This playlist supported the psychedelic experiences of those who participated in a new study published Nov. (There is extra time built into the playlist, as session length can vary.) The seven-hour and 40-minute playlist, developed by researchers at Johns Hopkins, seeks to express the sweeping arc of the typical medium- or high-dose psilocybin session. Gorecki’s 27-minute composition, also known as “Symphony of Sorrowful Songs,” is one of a collection of mostly classical pieces that help unlock elevated states of consciousness for study participants at the Johns Hopkins Center for Psychedelic and Consciousness Research. Jacobs remembers all these feelings, which came on as he began experiencing the effects of psilocybin - the active ingredient in so-called magic mushrooms. … It was like I could see right into the heart of the matter with crystal clarity.” “It seemed to capture the human condition, the beauty and sadness of existence. It literally moved me to tears,” Jacobs, now 52, wrote in his post-session report in 2010. After ingesting a psychedelic drug as part of a formal study at Johns Hopkins, he was lying on a couch at the research center, wearing eyeshades and feeling a deep emotional connection to the music playing through his headphones. 3 brought Rob Jacobs back to a life-changing experience that happened a decade ago. Recently listening to Henryk Gorecki’s Symphony No.
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